At the Anniversaries of our Fire

Disasters rise regular as our ever-higher tides.

I learn how a hurricane–

its eye, let’s call it a mouth, sucks up the sea’s water

and spits it out all over land.

It is all pain and all tenderness all at once.

You survivors hold chaos;

Must believe in star nurseries liquid as rain as fire

dim pulse of diatoms lighting as they

are moved by storm.

You, just washed and wrung out in yesterday’s floods,

I hear in your voices on the radio–

from Appalachia now–

the tremolo, tremble of grief and gratitude,

         grief and gratitude

         gratitude and grief

alternating as eyes blink, power lines and transformers spark,

ancient pecan groves fall.

It was your home that washed away among the others.

(don’t forget an undertow of shame and a sinuous sea monster

gray as smoke, bony fingered fins, who passes each night

in a canal deep in your dreams for we/you are alive

with the wonder of survival, the why and joy and misery)

I need to tell you the chop of waves, 

white caps flinging foam, and this time of you 

tumbling blind and drowning in the roil,

the up and down of it, over time become

slow swells you float over, bobbing

as if unsinkable, rise and fall and

yes, it will get better, it will stay better,

though sometimes, like this,

comes a sneaker wave and you/we are again

tumbling submerged—

maybe I/you will hear voices on the radio,

survivors of another disaster

but we will surface

and swim the up and down of it

as sorrow heaves and heaves

the never-ending up and down of it

and in the undertow, a world of lives.

The Heart of Rice

forthcoming in Bainbridge Press Grain Anthology.

                    Human beings have less genetic material than rice.

                                                                The Human Genome Project

In it, some thing tender waits in stillness,

the promise of any seed to become more.

Do not think of white rice quick cooked from

an orange box, but of its brown dancing life in

a field, what it does with the sun and air even at night, of its

duties, the duties of any plant to transform

its share of animal exhalations into plump

and fruiting air, to root itself in what it needs, to take

a tall stand.  I am not talking of intentionality in the husk

sharp and anxious as it breaks open into loss

of self, I am not speaking of anthropomorphism, only

of what it is, the knuckled stem of it, its papery uses, its leafy

glyphs.  Think of a planted field of rice, flooded,

or wild rice in the eddy of a northern river, duck haven, fragrant,

the art of one, the grace of the other, and why shouldn’t

the glyphs of its genes exceed ours? They execute such singular

order, while we move host to so many unlikely, unnamed, some

what damaged or fragmented others (is this finally the meaning

of our fall? or our salvation?).  Think of rice, the many-in-one of it, nothing

special, but lovely in its meadow sailing, the Eolian harp

strings of it singing, its right place on the whole earth,

its reliable shelf life.  Rice, saffroned,  in community

upholding the creole sauce of our dinner,  the thick curry

of our shrimp. Plain rice filling small bowls again and again.

AI Wrote this Poem for Me for You and then

For a short tale of county fair dust and randy rabbits visit Kathy Winograd’s blog

Celebrated writer, photographer, and teacher Kathy Winograd is breaking into writing humor. She emailed me that “Well, it’s because of you and David that I’m experimenting with trying to have a little humor instead of deathly serious life and death things in my writing all the time,” which made us laugh some more. Timing, dry wit, a voice like no other–well, check out her blog yourself during county fair time with its smothering heat, wild berry jams, and milk-washed pigs. Writer at 9600′. You’ll thank us.

Then read more. Including the deathly serious life and death stuff.

 

We walked from the San Juan River

We walked from the San Juan River over hot sand and through scrubby tamarisk to a grove of giant cottonwood. The air cooled and the green leaves of the cottonwood cast stars as they turned in the sun.  Sophia and I saw the dazzle and felt the earth’s core, the earth’s crust, the plants’ roots, the leaves’ reach and shiver, the atmosphere’s embrace, the sun and the universe’s shelter, felt it flowing through us, felt the electro-chemical current in our arms, bodies, down through our feet, up through the top of our heads. We were moved without speaking to reach up and out and wave our arms like the trees, to shower gold fireworks from our fingertips, none of this surprising or particular, just a part of, an immersion in, what is.

My dear readers, I have tried to do the moment justice in photos.  Can’t do.  Perhaps visit some of  Georgia O’Keefe’s many paintings of cottonwoods.https://collections.okeeffemuseum.org/object/1040/ Perhaps my word photo makes the moments belong to you.  Carol  

 

how to write again after winter

Look at your journal frequently

carry it around

move it from surface to surface

set a pen beside it   a pretty good pen

not the best pen

pick them up put them down pen and journal

decorate the journal   a sloth sticker, a Texas state park ghost buffalo

put a very small journal in your pocket to carry at all times

and a tiny pencil

read read read read read read read

become weak and jealous

because you love some other’s poems so much

keep reading until you are over yourself and focus

on loving those other’s poems wholly, without shame or jealousy

occasionally write on a scrap of paper like a receipt or the inside of a new sock wrapper

or squeezed unreadably into the margins of a printed article you read about writing

a word or a line that stirred inside you like rocks in a tumbler

that you might want to quote later or use as an epigraph

or title  

lose and

find these scraps and occasionally ponder those words

this can go on indefinitely

buy some colorful little sticky tabs

tab favorite pages in some books

believe you have things to say about the book’s ideas

or the grace of a line

like a poem you might start

and sometimes try to find on that tabbed page the stirring

bit though you won’t and this can go on indefinitely

try to not listen to your cat who prefers you

to be in a position where you can’t write

when he lies on you and otherwise

says nothing demands nothing except

not writing  

lifting the pen bothers him

think quietly stilly writing a whole thing in your head

this can go on indefinitely       this trying not to yet

obeying the cat

even now he covers your journal with his long milkweed body

his paws soft as desert primroses limp and white

so you listen to your cat

he chirps

this can go on–this now this now this now indefinitely

summer is arriving which is to say springs’ puddles become thunderclouds

the towhees make a constant racket

the iris smell of grapes and root beer (purple and brown)

the tulips are your first kisses long faded

crab apple blossoms litter your floor like of course snow

reject the tired cliches but still

you want to tell someone

when the cat feels you pick up your pen and try

to write what you want to tell and the cat begins to leave

you put your pen down

because after all he is the reason you are sitting down at all

when he leaves you pick up your pen

when he comes back you put it down again

this can go on indefinitely

your brain gets way ahead of your pen since you’re not writing

and when the cat returns

chirping and opening his silky throat to your hand

purring with a healing rough rumble

as if he were a mercury outboard engine gurgling beneath a lake

you want to tell someone

and of how your children are grown

your partner is patient

so what’s the problem?

a little shame opens in you like a hole in the ground

maybe just a small hole like the door to a cement ant colony or

a dark lily you like to breathe

do not go there     do not breathe that

not that cave or dark door or flower

or wait maybe you can pick up your pen and write about that

or list potential titles for your book in progress

didn’t you put a few on the margin of a Nature Conservancy magazine

or a 2 year old New Yorker?

and wonder if titles count as writing

Quench.   Fire Season.  Ghost House.

The Feral Lady Reflects on Gertrude Stein’s Portrait

this can go on indefinitely

titles      the cat’s return

and then a text bleeps

your phone always nearby witnessing

google memory is too full

you must delete

clean

pen down     phone up

a job dings in

editing

maybe you won’t try to write until that job is done

or until the days grow shorter

or colder

or the spring’s puddles fill with lightning and thunder and breakage

but the day is tender as a cat’s purr and his throat

you want to tell someone about this

you could pick up the pen

you could tell someone

your journal or your sister or a stranger

how perhaps writing isn’t as necessary as you thought

or it is

you pick up the pen and the towhees do not stop speaking

and the cat is asleep curled in a chair now

and the day is long then the soft evening

the sun’s purr   the moon’s silky throat

dark star in the farthest sky

you want to tell someone about this

you open your journal

pick up your good enough pen

begin to write

and the evening is as sweet as it ever was

as kind to you

as patient as you have been

and you think about how later you might write about a whiskey you call Truth Serum or tequila smooth as a cat’s throat–in light of your topic, how to write–or about the best pens, or how now the journal is open, the pen’s in your hand, then it’s touching the page

its first mark a tiny blue planet

Small lump of gold

Two years after we lost our home and community in the Marshall Fire, I finger through the tiny things sifted from ash near where our bedroom might have been. My son has kept the stuff for me in a cottage cheese container in his garage. I dimly recognize a few objects–watch case and steel strap, crusty beads from necklaces, even a charred earring or two, all the colors turned to gray or black, everything smooth now sharp, rough. Horrible dark dank odor. I’m surprised I recognize anything in the small twisted pile.

Today, I have decided to take the lumps of mystery metal to an assayer to see if any silver has survived, but I find a bit of gold, I think. Among the gray, it is decidedly shiny and heavy underneath its crust. Lumpy as oatmeal cookie dough. A few dollars for the fused and melted mystery metal would be helpful. I have no idea what gold is worth in terms of dollars. Then a wise friend wonders if I would rather make something from the small gold lump, a pendant for a necklace, an earring, even a ring. 

Leave a comment

  1. cchsbookgroup1 Avatar

    Incandescent tribute to the beloved things we have lost and can sometimes find again.

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  2. tvolztileaolcom Avatar
    tvolztileaolcom

    Carol- It is a treat to know enough time has passed for you to be able to find purpose and meaning in the relics of your loss. I love physical evidence of past generations. The changing color, texture and form draw me to them. Mostly I photograph these finds but in recent years my interest in aging tumbled sea glass has captured my imagination. I am using them in creative constructions which mostly become gifts. It warms my heart to know you will be adding your personal touch to create a keepsake to pass down. Tim

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    1. CarolGM-Poet Avatar

      Yes, thank you, Tim, your beach relics certainly resonate with my fire relics; with imagination, we can feel what was once whole, and even, sometimes, who used it or made it or held it. I like that you are doing material work as well as photography, of course. I hope David gets there (here) though of course in his own way with whatever stuff he connects to.

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      1. tvolztileaolcom Avatar
        tvolztileaolcom

        I really like the tactile element of any construction project. My 42 years building tile baths, kitchens and the like brought me much satisfaction. So instead of crawling around setting tile I crawl on the edge of the bay hunting for tumbled beach detritus from an earlier era. It combines things that I like: history, visual beauty, collecting and re-use. And with a view of the city and Mt. Tam I get to walk where so many others have walked before including the original local tribes. Tim

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  3. Kathryn Winograd Avatar

    Carol, tried to post

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  4. Kathryn Winograd Avatar

    Beautiful work, Carol.

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  5.  Avatar
    Anonymous

    Carol,

    I know you shared some of this with me but as I read this it sinks deeply into my heart like the molten remains of your former precious treasures. What heartbreak. And yet there is a phoenix in the ashes. Have you ever read the children’s story The Steadfast Tin soldier by Hans Christian Anderson. I am so reminded of the fusing of love in the ashes.

    Thank you

    Darlene

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Two Fire Years–Philosophical Questions

The before-the-MARSHALL-FIRE-past reveals itself like slow bubbles rising from a sludgy pond. Yesterday, I remembered I used to have a functional small garlic press. Earlier, remembered I had this blog, and liked it, and even that I kept paying for it! Questions I have been exploring since the destruction of 1100 homes in a straight-line wind grass fire? Well–what happens to stuff? Does it matter? Where did my memories go when everything disappeared? Was a bit of my dead father in his old mug, a bit of my mother in a teacup, so now I have less of them to touch? I like the zen saying “The Cup is Already Broken,” but it is harder to accept when it is all the cups, and they cannot be mended with gold, they are dust. And then, unsought for gifts filter up through the ash–the light catcher I had hung in my mom’s window in her Alzheimer’s unit, the last scrap of her handwriting on a card. 

I hope this finds you well, as we grew to say during Covid and are saying again; even more, I hope you find yourselves able to “hold life as if it were a face”, as poet Ellen Bass wrote, and say “yes, I will take you/I will love you again.”

Hello Old Friends and New Readers, 2024

Just over two years ago my house burned down in the Marshall Fire. A lot of your homes burned down. Many animals died. Two humans died. A neighborhood died. And apparently I let my wordpress site die, but we escaped with our cat, a change of socks and underwear, our so-called important papers, our winter boots and coats, and innumerable friends and strangers who helped us recover–our gratitude can’t ever be spoken strongly enough. But I did take one journal and I kept writing in it, and a book is being born as we speak–a troublesome birth, but all births have quite a bit of drama involved I know from experience, literal and metaphorical. So I begin again, just past solstice 2023. Oh, I also learned that many journals won’t accept poems that have been on social media including wordpress. So no poems here except through links. Welcome back, I hope you’ll welcome me back as we together wake and find a little light floating like a raft we swim up to reach.

Lucky at Winter Solstice Speaks

I just found this poem I wrote and forgot December 2019 pre-pandemic. I find that entering darkness before the Winter Solstice welcomes the celebration of light to follow.

Wild Horse at Winter Solstice Speaks

Horse says, listen again.  Did you forget me?

And the dry bright summer of my dying?

Let the cold dark remind you how just now

 a smile passed your lips when you thought of us together. 

So little pain, loss gentled. Did you forget me? 

 And all the pastures before our story

where you yearned for someone like me, 

and whispered a call? Go again to a treeless field 

and look up: the stars spin around the pole again 

then comes a slow late sunrise.

Sunrise fires the stubble to gold at first light.

Invite the blistering light of loneliness to return

and bring you to your knees till you beg 

for someone to let themselves be loved 

as you loved me. Do not name this loss.

In the field, before nightfall, you may be found.

The Winter Solstice: Irish and Celtic Traditions, Newgrange